Mojin the lost legend dvd
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It's here that Wuershan's plundering adventure recalls the more positive elements of its western influences - little bits of The Last Crusade and the first two Mummy reboot films - where dubious partnerships and rocky personal relationships emerge in the presence of mysterious and eerie sorcery.
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At this point, visual effects are minimal, with creepy makeup for human metamorphosis and craggy, cavernous set design setting the mood. There's a moment where Mojin: The Lost Legend seems like it could start to work, based on pure curiosity once the exploration descends into its ancient destination and the characters start coping with the supernatural traps and puzzles. Flashbacks transport the point-of-view to the communist revolutionist period in an attempt to deepen their characters with back-story, and while the movements throughout time are comprehensible, they lose all momentum leading up to the Mojin's return to duty.
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Starting with their initial excursion into the depths of a spiritual burial place, which follows a proclamation that these kinds of adventures are a "piece of cake" to the trio, Mojin: The Lost Legend never quite figures out how to raise the stakes and get beyond its quick shift from overconfidence in the explorers' abilities to. Unfortunately, Wuershan squanders these talents - and the potential of their characters - on a peculiar, shallow grasp on tone and chronology. Mojin: The Lost Legend come equipped with a robust cast that effortlessly brings personality to their tomb-raiding characters, from the melancholy attitude of Hu Bayi delivered by Chen Kun to the strong-willed and persuasive impishness of The Assassin's Shu Qi. and the mythical item, the Equinox Flower, contained within. Reluctantly, and with the relationship between Hu Bayi and the third member of their group, Shirley Yang (Shu Qi), hanging over their heads, the three Mojin venture back to China in search of a Mongolian tomb. He and his partner Wang Kaixuan (Huang Bo) struggle to make ends meet as homeless street vendors in America, when they're approached with a monumental job offer - delivered from a wealthy religious zealot - that lures them back in the game. Shortly after their introduction, however, we learn of their retirement after a particularly traumatic job, one that left Hu Bayi (Chen Kun), their leader, in a burdened mental state.
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Loosely based on a fantasy novel series, Mojin: The Lost Legend centers on a group of professional treasure-seekers with gifted abilities and certain rules about their plundering, who are also longstanding friends spanning some twenty years. Unfortunately, it also conjures the more obnoxious side of that type of cinema - trivial plotting, awkward flashbacks for back-story, and gawky humor - resulting in a bloated and stilted descent into the caverns of fantastical excess. Adorned with vivacious special effects and a supernatural spirit, the director's latest feature, Mojin: The Lost Legend, filters the mannerisms of a distinctly Western blockbuster adventure into a Chinese-language production, recalling the likes of The Mummy and Tomb Raider franchises in its mythical character-building and excavation for a long lost, magical relic. Chinese director Wuershan, whose creativity was responsible for the visually dazzling but otherwise lackluster Painted Skin: The Resurrection, obviously understands the appeal.
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It's such a straightforward and worn-out premise, but there's something effortlessly intriguing about watching a group of professional treasure-seekers break into an ancient, mysterious place with unpredictable obstacles awaiting them.